“Try to pause, please, and find some stillness to read and appreciate this beautiful book. Though the historical sweep of the story is massive and heartbreaking, Bergen’s prose remains exquisitely focused and pure. Every sentence is a small miracle of literary protection, holding back the bloody tide of the twentieth century, while tenderly holding on to what is most precious. Away from the Dead is a masterpiece, the work of a true artist operating at the highest level of his craft.” — Alexander MacLeod, author of Animal Person
“David Bergen is one of this country’s finest storytellers. What elevates and distinguishes his already fine work is a rare and extraordinary sensibility, an ability to draw on the well of community and mine the profound in the lives of ordinary people tossed about in the tumult of history. Bergen’s humanism breaks the heart and honours it.” — Noah Richler, author of What We Talk About When We Talk About War
“Set in a moment of immense volume and violence, David Bergen’s quiet unfolding of multiple upended lives during the Russian Revolution is a nuanced meditation on the mechanics of wanting. Behind the immense restraint of Bergen’s beautifully crafted sentences, there is an overflow of life, a cast of characters so deeply human in their desires and failings. Away from the Dead is a deceptively stunning novel, a testament to the resurrective power of love against what history might otherwise obliterate, written by one of Canada’s best.” — Omar El Akkad, author of What Strange Paradise
“Memorable, emotional, and thought-provoking.” — Midwest Review of Books
“With spare prose, Bergen points to the fragility of existence — the ever-present hum of violence and the unpredictable threat of death. While the author doesn’t look away from the horrors of war, his novel invites us to be fully alive in the moment, tethered by small things that are important nevertheless.” — The British Columbia Review
“I was fascinated by the way David Bergen’s often short, spare, straight-forward, rapid-fire sentences could become the vehicle for so effectively conveying mood and personality and emotion and horror.” — MaryLou Driedger, author of Lost on the Prairie and Sixties Girl
“Every sentence in this novel is a creation. David’s prose is understated, and his storytelling is larger than life.” — Miramichi Reader
“Bergen conveys this sense of random chance through its opposite — though control and caution and craft.” — Winnipeg Free Press
“[H]is meticulous, understated prose is weighted with implicit grief at the pointless suffering of ordinary people who want only to “live quietly,” a lament as relevant for Ukraine’s present as for its past.” — Literary Review of Canada
