"At the window, the sound of waves crashing on the beach has a rhythm, and as you close your eyes, that sound begins to vibrate, it blurs into a heavy pulsing sound of wheels pounding over the gaps in the steel rails. It passes. You hear the wind rush through the tall dry marsh grass, feel it pull at your clothes, drawing you inland, after the dark horse, and the girl keeps watching. The sound peaks, it becomes a cry. It is the last thing you will ever and always hear." — Andrew Hunter
Colville is a book like no other.
Designed to accompany an exhibition at the Art Gallery Ontario, Colville honours the iconic Canadian artist's legacy and explores the continuing impact of his work on film, literature, and music.
Known for painting decidedly personal subject matter, Colville's painstakingly precise images depict an elusive tension, capturing moments perpetually on the edge of change and the unknown. Featuring more than 100 reproductions, Colville will feature works assembled from museums and private collections nationwide. Spanning the entirety of Colville's career, the works will include many works that have never been have never been reproduced before this moment as well as his most iconic paintings, including Horse and Train, 1953; To Prince Edward Island, 1965; Woman in Bathtub, 1973; and Target Pistol and Man, 1980.
Colville was a painter, printmaker, and war veteran who drew his inspiration from the world around him, transforming the seemingly mundane figures and events of everyday life into archetypes of the modern condition. He was made a Companion of the Order of Canada in 1982 and won a Governor General's Visual and Media Arts Award in 2003.
Andrew Hunter is an accomplished curator, artist, writer, and educator. He joined the AGO’s curatorial team on May 1, 2013. He is the co-founder and co-principal of DodoLab, an international program of community collaboration and interdisciplinary creative research.
Born in Hamilton and a graduate of Nova Scotia College of Art & Design (NSCAD), Hunter has held many curatorial positions, including roles at the Vancouver Art Gallery, Art Gallery of Hamilton, Kamloops Art Gallery, the McMichael Canadian Art Collection, and Charlottetown’s Confederation Centre Art Gallery to name a few. He has taught at OCAD University and the University of Waterloo (Faculty of Arts and School of Architecture) and lectured on curatorial practice across Canada, the United States, England, China, and Croatia. As an artist and independent curator, Hunter has exhibited widely, including solo projects at the National Gallery of Canada, Dubrovnik Museum of Modern Art (Croatia), The Rooms Art Gallery (Newfoundland), the Walter Phillips Gallery (Banff Centre), the Winnipeg Art Gallery, the Yukon Art Centre, the Leonard & Bina Ellen Art Gallery (Concordia University), and with Proboscis (London, UK).
Hunter has contributed to numerous exhibitions including acclaimed retrospectives Tom Thomson and Emily Carr: New Perspectives. Other major projects include The Other Landscape; Come A Singin'; Northern Passage: The Arctic Voyages of Jackson, Harris and Banting and The Road: Constructing the Alaska Highway (Art Gallery of Alberta); To a Watery Grave and Dark Matter: Remembering the Great War (Confederation Centre Art Gallery); Lawren Harris: A Painter’s Progress (Americas Society Art Gallery); Ding Ho Group of 7 (with Gu Xiong, McMichael Canadian Art Collection and Mendel Art Gallery, Saskatoon); and Thou Shalt Not Steal: Lawrence Paul Yuxweluptun and Emily Carr (Vancouver Art Gallery)
Pub date: August 26, 2014