At the risk of angering the many easily-provoked deities of Canadian weather, we think it might finally be Spring.
*waits an appropriate amount of time for retribution from on high*
Alright, we're safe.
So, as it is Poetry Friday, let us celebrate the evolution of Winter into Spring with Leigh Faulkner's "In One Extreme Cell" (from his 1982 collection Charge).
Please enjoy.
And stay dry.
Last week, we were all about the big cats! This week, we're all about what the big cats yearn to eat:
Big deer!
For Poetry Friday, let's take a gander at both the prey of big cats and the construction of poetry with Richard Kelly Kemick's "The Love Poem as Caribou" from his collection Caribou Run.
Please enjoy.
Today, for Poetry Friday, we're all about the big cats!
The lynx is not the only point of Alan R. Wilson's "Lynx" (as published in the anthology Coastlines: The Poetry of Atlantic Canada). However, as this is the Internet, it behooves us to stress as many cat-related qualities as are possible.
These are the rules of the Internet, and we must obey them.
The Internet is made of cats, after all.
Please enjoy.
For Poetry Friday, we're going random!
In her collection In This House Are Many Women, Sheree Fitch's refreshingly direct lyrics explore the harsh realities of women's lives and the many kinds of shelter they create for themselves and give to each other.
Please enjoy some random moments with Sheree Fitch's "Random Moments."
Then I will search
For Poetry Friday, instead of an Easter-themed poem (as you might expect), we're going with a different occasion. A fauxccasion, actually.
In his collection Fauxccasional Poems, Daniel Scott Tysdal commemorates events that never occurred. Each poem is a tribute to such a fictional event, such as today's poem, "Tell Me How."
Reached via social media, Tysdal recalls the thought process behind this fauxcassional ode to Buddy Holly:
