Anton Piatigorsky has twice won the Dora Mavor Moore Award. Eternal Hydra, commissioned by the Stratford Festival, was called "one of the best Canadian plays of the past decade" by NOW magazine and opened in Vancouver at the Touchstone Theatre in October 2012. The chamber opera, Airline Icarus, for which he wrote the libretto, won the Italian Primo Fedora Award in 2011. He was most recently the playwright in residence for Soulpepper. His play, Breath in Between, premiered at Toronto's Summerworks Festival in August 2012.

Shortlisted: Danuta Gleed Literary Award

"Piatigorsky never attempts to answer the question about human nature. Each of his characters is carefully constructed, and the reasons behind why they would go on to become menacing figures and murderers of such magnitude are left to the reader's imagination. This is the strength of The Iron Bridge: the idea is not to explain, but to narrate. These are good stories — well-written, interesting, and engaging. The premise is not a gimmick, so much as a jumping-off point for the fiction. The Iron Bridge is an intriguing idea, well executed." — Quill & Quire

"Clever and convincing... Toronto-based author Anton Piatigorsky — a writer of plays, librettos and fiction — manages to present this sextet of future tyrants in fiction as deeply flawed people ... The stories, which all seem plausible, provide us with some real insight into the protagonists' manipulative minds, thus providing perspective into their adult actions as murderous psychopaths." — Winnipeg Free Press

"Piatigorsky's stories are fictional, but they come to life as earnestly as if they were true: his characters are so well-drawn that the scenes played out by the adolescent Mao, and young Soso Stalin, and finally a sulky and explosive Hitler, do indeed seem very real, very possible... Piatigorsky does a beautiful job of setting the stage for each episode in a way that makes every one a new and exhilarating foray into these vulnerable and volatile psychological spaces. An engaging and active read that successfully gives us the glimpse at possibilities, giving us something to explore through fiction in a way that reality cannot... [T]he collection is highly readable, and exciting, and the motif of the young dictator and the issues this raises aren't an aggressive affront to the reader — instead the collection is an enjoyable experience, with significant pay-off." — Maple Tree Literary Supplement

"Anton Piatigorsky has found a rich gothic seam in 20th-century dictatorship, and, in six subtle and learned tales, sets the genre upon the weird adolescences of Idi Amin, Pol Pot, Mao, Stalin, Rafael Trujillo and Hitler. The Iron Bridge is such a rich text, based on such weighty sources...that each story demands essays and dissertations in response. Piatigorsky solves historical fiction's dilemmas with enviable skill and originality." — National Post

"Piatigorsky's skill as a playwright translates well into novel writing. His descriptions clearly allow the reader to empathize with the protaganist — a great trick when one realizes one is reading about the childhood of a hated dictator.... And Piatigorsky is great in describing emotions, even when the sentiment is cold and foreign to the reader.... Anton Piatigorsky's The Iron Bridge is a thought-provoking read. Make a reader rethink and consider history is one thing that good literature is meant to do, which this novel has done in abundance." — The Library of the Found Inkwell

"That these monsters-to-be are given such convincing humanity is a testament to Piatigorsky's delicate craft, his patience and subtle creativity with the historical material at hand, and insight into the darkest possibilities of the human mind." — Publishers Weekly

"Provocative. There are many ways to try to understand the makers of genocidal or nationalist catastrophe. The least effective method is to dismiss them as monsters, as inhuman freaks of nature with no foothold in our own culture. Piatigorsky's approach runs counter to this tendency, as he uses his playwright's skills to dramatize his reading of character by way of such mundane aspects as adolescent angst, unsettled erotic yearning, family squabbles or personal weakness. Piatigorsky, a two time dora Mavor Moore Award winner for his playwriting, is skilled at dramatizing these situations by way of dialogue and detailed settings." — Literary Review of Canada<./i>

"Piatigorsky's unobtrusive merger of fiction and history, both cultural and personal, into the stream of his narratives, points to a gathering black cloud on the horizon beyond each conclusion. All stories are gripping and structurally intelligent." — SubTerrain

"An astounding collection of intricate and rigorous character studies. The Iron Bridge bravely takes us deep into the nuanced, damaged psyches of men we would prefer to think of as monsters. Thrilling, brazen, brilliant, and deeply felt. The most compelling stories I've read in years." — Sarah Polley

"With an invigorating mix of classic storytelling and inventiveness, Anton Piatigorsky's pitch-perfect, acutely attuned stories delve deep, and far, and wide, The Iron Bridge is an assured, unique collection, and a seamless transition to fiction from one of our best playwrights." — Pasha Malla

"An absolutely thrilling read. All six stories vibrate with rich detail and a kinetic narrative. But what makes this book truly special is Anton Piatigorsky's ability to harness and exploit the reader's pre-existing knowledge of, and chilling fascination with, his terrifying protagonists." — Albert Schultz