In the Ward
"Like all but very few Canadians, I've had no real experience of the North — I've remained, of necessity, an outsider. And the North has remained for me a convenient place to dream about, spin tall tales about and, in the end, avoid." — Andrew Hunter
Outsiders, dreamers, tall tales. Lawren Harris's visionary North, his idea of North, was shaped in Toronto. In this fascinating little book, Andrew Hunter explores the historic Toronto of Lawren Harris: a city of great diversity and dense urban growth. Harris often painted in the Ward (St. John's Ward), a downtown neighbourhood bordered by College and Queen, University and Yonge streets. The Ward was of deep significance to First Nations communities; it marked the end of the Underground Railroad for many fugitive slaves; it housed the city's first Chinatown; and was home to the immigrant poor of Europe and the United Kingdom.
Andrew Hunter is an accomplished curator, artist, writer, and educator. He joined the AGO’s curatorial team on May 1, 2013. He is the co-founder and co-principal of DodoLab, an international program of community collaboration and interdisciplinary creative research.
Born in Hamilton and a graduate of Nova Scotia College of Art & Design (NSCAD), Hunter has held many curatorial positions, including roles at the Vancouver Art Gallery, Art Gallery of Hamilton, Kamloops Art Gallery, the McMichael Canadian Art Collection, and Charlottetown’s Confederation Centre Art Gallery to name a few. He has taught at OCAD University and the University of Waterloo (Faculty of Arts and School of Architecture) and lectured on curatorial practice across Canada, the United States, England, China, and Croatia. As an artist and independent curator, Hunter has exhibited widely, including solo projects at the National Gallery of Canada, Dubrovnik Museum of Modern Art (Croatia), The Rooms Art Gallery (Newfoundland), the Walter Phillips Gallery (Banff Centre), the Winnipeg Art Gallery, the Yukon Art Centre, the Leonard & Bina Ellen Art Gallery (Concordia University), and with Proboscis (London, UK).
Hunter has contributed to numerous exhibitions including acclaimed retrospectives Tom Thomson and Emily Carr: New Perspectives. Other major projects include The Other Landscape; Come A Singin'; Northern Passage: The Arctic Voyages of Jackson, Harris and Banting and The Road: Constructing the Alaska Highway (Art Gallery of Alberta); To a Watery Grave and Dark Matter: Remembering the Great War (Confederation Centre Art Gallery); Lawren Harris: A Painter’s Progress (Americas Society Art Gallery); Ding Ho Group of 7 (with Gu Xiong, McMichael Canadian Art Collection and Mendel Art Gallery, Saskatoon); and Thou Shalt Not Steal: Lawrence Paul Yuxweluptun and Emily Carr (Vancouver Art Gallery)
Pub date: July 1, 2016