“A brilliant piece of historical detective work. Batt and Green have pieced together a rare portrait of two queer, rural New Brunswickers from the 1910s and 1920s. Historically significant, this exhaustively researched, beautifully written work is utterly absorbing given the rich photographic record included in the volume. But photos alone don't make history, it is the sensitive, analytically nuanced writing of Batt and Green that brings their world to life. This is a book for every rural queer kid who wondered if they were the only one and for queer historians eager for histories of same-sex experiences and culture beyond the cities.” — Valerie J. Korinek, author of Prairie Fairies
“An archive to treasure. This story of love and companionship pulls us across time and reminds us of the queer possibilities that have long blossomed in New Brunswick and beyond.” — Craig Jennex, co-author of Out North
“The photos alone make this book a must-have for those interested in uncovering the queer histories of rural New Brunswick. The affectionate photos of Len and Cub together convey the essence of a relationship never recognized during their lifetimes. An important contribution to Canadian queer historiography.” — Ed Jackson, co-editor of Any Other Way: How Toronto Got Queer
“The unapologetic gaze of Len Keith and Cub Coates endures in these amazing photographs, regardless of how we interpret their lives today.” — Literary Review of Canada
“How these men were treated and how their love was seen cannot be explained by it being a different time (though it remains profound and beautiful and unambiguous how deep lies the affection), but by the profound mystery of why ignorance and hate flourish, and how, somehow, healthy adult love can have a hierarchy or a class system.” — Winnipeg Free Press
“This is powerful, and instructive, for queer people who seek to be responsive to the suffering of those who may not be marginalised by virtue of their sexual orientation or gender identity but on account of their race, caste, or disability or diagnosis.” — News Nine
“This is a remarkable book and a work of public-facing scholarship in the purest sense. It takes something from behind closed doors and shares it with the world to change how we understand those that came before us and our own relationship with the past.” — Broken Pencil
