Some Hellish (Audiobook)
Published: December 12, 2023
BTC Audiobooks / Fiction / Novels
Digital Audio: 9781773103464 $35.00 SRP
Winner, Atwood Gibson Writers’ Trust Fiction Prize
Herring is a hapless lobster fisher lost in an unexceptional life, bored of thinking the same old thoughts. One December day, following a hunch, he cuts a hole in the living room floor and installs a hoist, altering the course of everything in his life. His wife Euna leaves with their children. He buries the family dog in a frozen grave on Christmas Eve. He and his friend Gerry crash his truck into a field, only to be rescued by a passing group of Tibetan monks.
Some Hellish is a story about anguish and salvation, the quiet grace and patience of transformation, the powers of addiction and fear, the plausibility of forgiveness, and the immense capacity of friendship and of love.
Nicholas Herring’s writings have appeared in the Puritan and the Fiddlehead. He lives in Murray Harbour, PEI, where he works as a carpenter. Some Hellish is Herring’s debut novel.
Richard Clarkin is an award-winning film, television, and theatre actor. On screen, he starred in The Drawer Boy, for which he received the Canadian Film Award for Featured Performance, and plays Dick Dunphy in the CBC hit Son of a Critch. He has originated roles such as Jacob Mercer in Salt Water Moon for the stage and was part of the historic run of The Lion King in Toronto where he played Scar. Clarkin makes his home in Toronto and PEI.
“Like The Old Man and the Sea — if the old man were a middle-aged Maritimer, and the big fish were his own life, his pain, his addictions, his deep love — Some Hellish follows an irrepressible everyman, as he struggles to remake his life and come to terms with his vision of what is possible and important for him and those around him. An immersion in the rich, surprising, and vivid contemporary fishing culture, Some Hellish is some inventive, some compelling, some compassionate. It’s some book.” — Gary Barwin, author of Nothing the Same, Everything Haunted
“Brilliant and moving, Some Hellish tears a hole between the ordinary and the fantastic, the sacred and the profane. It is uncomfortable, sometimes painful, but also startling and beautiful to have things opened up like that, to see right through.” — Johanna Skibsrud, author of Island
“Any novel that combines Tibetan monks and PEI lobster boats is fine by me. Some Hellish achieves a surprising and wonderful balance: bawdy and spiritual in the same moments. There is mondo drinking, prodigious and inventive cursing, devilish humour, and serious literary chops. Some Hellish is irreverent and screwball and it’s inspired writing.” — Mark Anthony Jarman, author of Touch Anywhere to Begin
“What Cormac McCarthy did for cowboys and horses, Nicholas Herring does for fishermen and boats in his novel Some Hellish. With a deep knowledge of the Island and a passion for the language of work, Herring’s voice is droll and philosophical, ribald and poetic. The age-old story of humans versus nature finds a fresh cadence as Herring trawls the seas for body and soul. There is a dark beauty within this story, and it will make the reader’s heart sing.” — Jury Citation, Atwood Gibson Writers’ Trust Fiction Prize
“Nicholas Herring is a new and utterly distinct talent. His book’s style and sweep, its metaphorical richness and rhetorical beauty, come from some splendid place that must only exist in his mind, a place where Shakespeare becomes the new bass player for Metallica and speaks with a curious Atlantic-Canadian accent, telling loud, sacrilegious, frequently offensive jokes.” — Winnipeg Free Press
“... the art of Nicholas Herring’s writing is found in its melancholy and monotony. He brings a deep familiarity to the stark setting of Prince Edward Island and lobster boats, which comes through in every detail.” — Acta Victoriana
“A tender and funny character portrait.” — Miramachi Reader
“Some Hellish is sort of a fishing version of Fearnoch (which was farming). Mostly male characters, written by men, characters who grow up in a traditional way of life, flawed but easy to like and root for. We want them to triumph, but are aware that the story is rooted in reality which does not usually end in happily-ever-after. I hoped for the best anyway, and did not go away disappointed with what I got.” — Consumed By Ink
“A work of immediate, tactile realism, wrapped around a single hard kernel of realism.” — Literary Review of Canada