David Askevold
146 pages
Published: September 30, 2011
Non-Fiction / Art & Architecture
Hardcover: 9780864926593 $50.00
David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre's formative texts and exhibitions.
Published: September 30, 2011
Non-Fiction / Art & Architecture
Hardcover: 9780864926593 $50.00
David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre's formative texts and exhibitions.
This illustrated volume takes readers on an eclectic journey through the various strains of Askevold's pioneering practice — sculpture/installation, film and video, photography and photo-text works, and digital imagery. David Askevold moved from Kansas City to Halifax in 1968 to lecture at the Nova Scotia College of Art and Design.
During the early 1970s, his famous Projects Class brought such artists as Sol Lewitt, Vito Acconci, John Baldessari, Dan Graham, and Lawrence Weiner to work with his students, focusing critical attention on his adopted city and on his own unorthodox approach to making art. He quickly became on one of the most important conceptual artists practicing in Canada and throughout his career he remained at the vanguard of contemporary practice.
David Askevold: Once Upon a Time in the East features essays by celebrated writer-curators Ray Cronin, Peggy Gale, Richard Hertz (author of The Beat and the Buzz), and Irene Tsatsos as well as several of Askevold's contemporaries including Aaron Brewer, Tony Oursler, and Mario Garcia Torres. It accompanies an exhibition that will open at the National Gallery of Canada in October 2011 and will tour thereafter to the Confederation Centre of the Arts in Charlottetown and the Art Gallery of Nova Scotia in Halifax.
During the early 1970s, his famous Projects Class brought such artists as Sol Lewitt, Vito Acconci, John Baldessari, Dan Graham, and Lawrence Weiner to work with his students, focusing critical attention on his adopted city and on his own unorthodox approach to making art. He quickly became on one of the most important conceptual artists practicing in Canada and throughout his career he remained at the vanguard of contemporary practice.
David Askevold: Once Upon a Time in the East features essays by celebrated writer-curators Ray Cronin, Peggy Gale, Richard Hertz (author of The Beat and the Buzz), and Irene Tsatsos as well as several of Askevold's contemporaries including Aaron Brewer, Tony Oursler, and Mario Garcia Torres. It accompanies an exhibition that will open at the National Gallery of Canada in October 2011 and will tour thereafter to the Confederation Centre of the Arts in Charlottetown and the Art Gallery of Nova Scotia in Halifax.
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Author
David Diviney is the senior curator at the Art Gallery of Nova Scotia in Halifax. He is the editor of Close to the edge… The Work of Gerald Ferguson: Collected Writings and Statements, the definitive account of this late artist’s approach to his art and times, and his writing on the art of the 1960s and ’70s, contemporary art, and visual culture has been published widely in journals and exhibition catalogues. Diviney has also taught curatorial studies and fine arts at the Alberta College of Art and Design, University of Lethbridge, Thompson Rivers University, Sheridan College Institute of Technology and Advanced Learning, and NSCAD University.
