Critics described the stories in Way Up, Kathryn Kuitenbrouwer's first book of fiction, as "some of the most impressive examples of new Canadian fiction in recent memory." Published in 2003, Way Up received a Danuta Gleed Award and was a finalist for the Relit Award. The Nettle Spinner, her first novel, was shortlisted for the Amazon.ca/Books in Canada First Novel Award and was also named a best of 2005 by January magazine. Kathryn Kuitenbrouwer is the former fiction editor of the Literary Review of Canada and has also worked as a tree-planter, a lumberjack, and a baker. Her reviews have appeared in the Globe and Mail, the San Francisco Chronicle, the Toronto Star, and the National Post. She teaches creative writing at the University of Toronto and is the magazine editor for Bookninja.com.

"Perfecting has my vote for most compelling read of the year." — National Post

"My favourite book this year was Kathryn Kuitenbrouwer's Perfecting. I loved it because it was different; different from other books I've read, different from the ‘typical Canadian novel’ many people seem to hold in contempt. I also loved it because it was chock-full of symbols and I've always been a fan of symbolism." — Rover

"A powerful story, brilliantly told, and it surprised me from its opening page to its closing words. It's all I want in a book, and I'm grateful that I didn't miss it. You shouldn't, either." — Edmonton Journal

"As difficult as Kuitenbrouwer's plots are to diagram, her main project to date is crystal clear: exploring the radiating effects of violence... Brava!" — Winnipeg Free Press

"An ambitious novel that satisfies... Kathryn Kuitenbrouwer's characters are searchers — for love, for nation, for a belief to actually believe in — and their author has found a vital prose with which to bring them to life. Perfecting is rich in insight and artistry, both line-by-line and as a whole." — Andrew Pyper

"Perfecting ropes the backwoods of Ontario to the American southwest, offering up clouds of bees to contend with oil flares and guns. In all its marvellous strangeness, this novel hums with sometimes-violent life and the cadence of its supple, extraordinary sentences." — Catherine Bush