Catherine Bush is the author of five novels. Her work has been critically acclaimed, published internationally, and shortlisted for numerous awards. Her most recent novel, Blaze Island, was a Globe and Mail and Writers’ Trust of Canada Best Book of the Year, and the Hamilton Reads 2021 Selection. Her other novels include the Canada Reads longlisted Accusation; the Trillium Award shortlisted Claire's Head; the national bestselling The Rules of Engagement, which was also named a New York Times Notable Book and a L.A. Times Best Book of the Year; and Minus Time, shortlisted for the City of Toronto Book Award. The recipient of numerous fellowships, Bush has been Writer-in-Residence/Landhaus Fellow at the Rachel Carson Centre for Environment and Society in Munich and a Fiction Meets Science Fellow at the HWK in Delmenhorst, Germany. An Associate Professor of Creative Writing at the University of Guelph, she lives in Toronto and in an old schoolhouse in Eastern Ontario.

One of 49th Shelf's Books of the Year (Fiction)
A Globe and Mail Top 100 Selection
Hamilton Reads 2021 Selection
A Writers Trust of Canada Best Book of the Year

"Blaze Island is a fascinating and prescient story. With climate change as the backdrop, Catherine Bush’s lyrical portrait of the northern island landscape and a young woman’s passion for the land offers a frightening warning of how big business will surely adapt to the changes to benefit itself. Bush’s story is compelling — we watch the hurricane unfold, as only a brilliant writer can show us — and offers a moving and soulful primer for climate survival. " — Shani Mootoo, author of Moving Forward Sideways Like a Crab

"Bush’s Blaze Island is a fierce box of wind. Open its cover and you feel at once the fury of the weather to come, the future of the planet in novel form." — Brad Kessler, author of Birds in Fall and Goat Song

"Climate change is both an external and internal phenomenon in Catherine Bush’s brilliant new novel, Blaze Island — an ever-moving storm of emotion and politics that unfolds under churning skies and life-or-death stakes. Bush brings together a complicated cast of three-dimensional men and women, all fighting with and against each other in the name of saving the planet ... or making a buck." — Michael Redhill, Giller Prize winning author of Bellevue Square

"Riveting and morally complex, this is a beautiful, kaleidoscopic work that offers a resounding reply to the question of how literature might wrestle with the deepest threat facing the planet, anthropogenic climate change. In the absence of saviours and easy consolation, what Bush has created is an allegory of hubris and humility and an exhilarating space in which to re-imagine multi-species relationships and stories." — Kyo Maclear, author of Birds, Art, Life

"Blaze Island is a beautiful, far-seeing, and fiercely intelligent novel about the most critical question of our time. Every sentence has the lush exactitude of a poem — and the book, as it stuns and pivots, the stampeding heart of a thriller." — Claudia Dey, author of Heartbreaker

"Catherine Bush’s cast of characters roam Blaze Island after a storm of mythical strength, amid a welter of blown-off roofs, smashed windows, sunken vehicles, blazing desire, and destruction. Bush’s prose is a lightning storm in the dark of climate crisis — gothic, forceful, and beautifully intimate. Here is the majesty and awe of unleashed nature and we are caught in the grip. Swept away. This novel is sublime." — Lisa Moore, author of Something for Everyone

"In the famous end of The Tempest, Prospero asks that the audience free him and the other characters from the dream of the play. Blaze Island amounts to a similar request. To deny or ignore our changing world is to stay willfully dreaming." — Bookshelf

"She points out a dire situation that climate change could bring and offers us food for thought towards a better future." — Miramichi Reader

"[Miranda is] the daughter of a renowned climate scientist whose reputation has been shredded by a hostile establishment determined to discredit his warnings of environmental catastrophe. The two end up in exile on a tiny island in the North Atlantic, setting the stage for an elegantly crafted story that also proves to be a sizzling ecological thriller." — O Canada.com

"[Bush] creates characters who are grappling with issues that extend beyond their domestic lives, encompassing broader public threats or concerns. In Blaze Island, she lays out a very real and present dilemma that each character confronts differently." — NUVO Magazine

"The novel poses morally complex questions. It does so with the tautness of a thriller and the luxuriant precision of poetry." — Atlantic Books Today

"Bush’s deeply resonant ecological retelling of The Tempest showcases a "brave new world" as ironic as Shakespeare’s: brave because it is startling, dangerous and inescapable for those left alive; new because it really isn’t, merely the whirlwind humanity has sowed for its children to reap." — Maclean's

"A prediction of what is to come should we fail to heed the mounting evidence of the current climate crisis." — Quill & Quire

"Timely ... a gripping page-turner." — Elle Canada

"It’s a book that has stayed with me, that I think about almost daily and has the power, I believe, to awaken people from their apathy." — Carousel Magazine

"A page-turner that confers a moral imperative of our time." — Writers' Trust of Canada

"You can actually feel and smell all of Newfoundland in Catherine Bush’s nail-biter novel." — Harrowsmith

"Catherine Bush has done her homework for this book." — Consumed by Ink

"Blaze Island is a perfect combination of a character-driven narrative and a strong underlying plot. ... it fizzles and pops, releasing bubbles of information slowly over time." — Journal of Newfoundland Studies

"A captivating read!" — Check It Out

"Blaze Island is a timely, clever, deftly plotted, and deeply moving eco-thriller that cautions its reader against a technoescapist fix to ecocidal warming." — Canadian Literature

"I thought Bush was very creative with her adaption and that the climate change aspect worked surprisingly well with her retelling, especially with the recent forest fires in B.C. and how it’s affected the weather in Ontario." — Not Sarah Connor Writes