{"title":"Art Metropole","description":"","products":[{"product_id":"exclusive-memory","title":"Exclusive Memory","description":"\u003cp\u003e\u003ci\u003eExclusive Memory: A Perceptual History of the Future\u003c\/i\u003e is a compendium of descriptive, speculative prose and text-images by the Governor General’s Award-winning artist, Tom Sherman. Its contents sweep across five decades, describing radically different periods and environments — from Sherman’s early experiments in Toronto in the 1970s to his recent explorations of text and image in Nova Scotia’s South Shore. \u003c\/p\u003e\u003cp\u003eAt the core of this volume is “The Faraday Cage,” a text that delivers a vivid cascade of images of the art scene in Toronto at the onset of the video era in the early 1970s. This opening chapter expands into a series of essays in which Sherman pictures a vast horizon of contexts: urban, rural, social, political, economic, and in some cases, simply a beach along the coast of the Atlantic Ocean. His ongoing and rigorous investigation into the intersections of art, technology, and life itself is grounded in the converging terrains of mediaspheres and landscapes. \u003c\/p\u003e\u003cp\u003eAnd then, in a quick shift of perspective enter Peggy Gale and Caroline Seck Langill, who charge the book with wide-sweeping conversations about Sherman’s practice: his use of written language and dynamic, critically engaged “pictures,” the expansive reach of his text-based visual works, and the distinctive character of his voice. \u003c\/p\u003e\u003cp\u003eThe result is a provocative retrospective in book form that both demonstrates and expands upon Tom Sherman’s clear, forward-looking vision. \u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eAuthor\u003c\/h3\u003eTom Sherman is an artist and writer, who works across media (print, video, radio, performance, the web). Sherman represented Canada at the Venice Biennale in 1980, and has been featured in hundreds of international exhibitions and festivals, including the Vancouver Art Gallery, National Gallery of Canada, Museum of Modern Art (New York), Whitney Museum of American Art, and Documenta X. He has published extensively, including \u003ci\u003eCultural Engineering\u003c\/i\u003e and \u003ci\u003eBefore and After the I-Bomb: An Artist in the Information Environment\u003c\/i\u003e and was the founding Head of the Media Arts Section of the Canada Council in 1983. In 1997 Sherman founded Nerve Theory, a recording and performance duo with Viennese musician and composer Bernhard Loibner, and the duo has contributed to many radio venues internationally. Sherman has received the Bell Canada Award for excellence in video art, the Governor General’s Award in Visual and Media Art, and is Professor Emeritus in the Department of Film and Media Arts at Syracuse University.\u003cbr\u003e\u003cbr\u003eDavid Diviney is the Chief Curator at the Art Gallery of Nova Scotia. His interest in the expanded histories and legacies of conceptual art has led to several exhibitions, such as \u003ci\u003eDavid Askevold: Once Upon a Time in the East\u003c\/i\u003e (2011), \u003ci\u003eThe Last Art College: Nova Scotia College of Art and Design, 1968–1978\u003c\/i\u003e (2016), and \u003ci\u003eTeresa Hubbard \/ Alexander Birchler: No More Boring Art\u003c\/i\u003e (2025). His writing on the art of the 1960s and ‘70s, contemporary art, and visual culture has been published widely in journals and catalogues.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eReviews\u003c\/h3\u003e“Sherman’s reminiscences, reflections and commentary show a great depth of knowledge and experience and will appeal to his enthusiasts and to connoisseurs of the Contemporary Canadian Art Scene alike.” — \u003ci\u003eThe Miramichi Reader\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDetails\u003c\/h3\u003e272 pages\u003cbr\u003ePub date: April 11, 2023\u003cbr\u003e","brand":"Tom Sherman \u0026 David Diviney","offers":[{"title":"Paperback\u0026nbsp;\u0026nbsp;9781773103006\u0026nbsp;\u0026nbsp;$29.95","offer_id":43631296119023,"sku":"9781773103006","price":29.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1403\/7679\/files\/9781773103006_FC.jpg?v=1778747756"},{"product_id":"water-kinship-belief","title":"Water, Kinship, Belief","description":"\u003cp\u003eThe inaugural Toronto Biennial of Art in 2019, titled \u003ci\u003eThe Shoreline Dilemma\u003c\/i\u003e, was the first edition of a two-part biennial that traced interconnected narratives around the city’s ever-changing shoreline. These connections sought to reveal strategies of resistance against industrial-colonial systems, uncover polyphonic histories sedimented around the shoreline, and open up relations between the human and more-than-human. To extend this artistic thinking and expand notions of relationality, in 2022, the second edition, titled \u003ci\u003eWhat Water Knows, The Land Remembers\u003c\/i\u003e, moved inland to follow tributaries and ravines, both above ground and hidden, that shape this place. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eWater, Kinship, Belief\u003c\/i\u003e is a “third” site, a place where the continuities, resonances, and dissonances between Biennial editions are extended. Its pages become a means to bring together the artists, artworks, collaborators, and ideas that have together informed the exhibitions, irrespective of chronology, dispensing with categories, and part of a greater whole. Through its content and unique design, it is both a generative guide to the exhibitions and a Biennial site of its own, presenting new artistic relations that course through the book like tributaries. \u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eAuthor\u003c\/h3\u003eCandice Hopkins (she\/her) serves as Forge Project’s Executive Director and Chief Curator, working with contemporary Indigenous artists to shape one of the preeminent collections of Native art in the country. Candice is a citizen of the Carcross\/Tagish First Nation and spent many years in New Mexico, Canada, and Europe before moving to the unceded lands of the Muh-he-con-ne-ok in upstate New York to help build Forge into what it is today. Prior to joining Forge Project, Candice was the Senior Curator for the first two editions of the Toronto Biennial of Art.\u003cbr\u003e\u003cbr\u003eKatie Lawson (she\/her) is a graduate of the Master of Visual Studies Curatorial program at the University of Toronto, where she previously completed her Master of Arts in Art History. She has held curatorial, education and programming positions at the Art Gallery of Ontario, Doris McCarthy Gallery,  Power Plant Contemporary Art Gallery, bodega (NYC) and University of Toronto. She maintains a practice as an independent curator, editor and writer working within the tradition of eco- and material feminism(s).\u003cbr\u003e\u003cbr\u003eTairone Bastien (he\/him) is an independent curator based in Toronto and an Assistant Professor in the Criticism and Curatorial Practice program at the Ontario College of Art and Design University. Tairone co-curated the inaugural Toronto Biennial of Art in 2019 and collaborated on the second edition in 2022. Tairone holds a Master of Art from the Center for Curatorial Studies, Bard College, New York, and a Bachelor’s Degree in Art History with a Minor in Critical Studies in Sexuality from the University of British Columbia.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDetails\u003c\/h3\u003e480 pages\u003cbr\u003ePub date: May 3, 2022\u003cbr\u003e","brand":"Candice Hopkins, Katie Lawson, Tairone Bastien (Editors)","offers":[{"title":"Paperback\u0026nbsp;\u0026nbsp;9781989010136\u0026nbsp;\u0026nbsp;$45","offer_id":45703635927279,"sku":"9781989010136","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1403\/7679\/files\/9781989010136_FC.jpg?v=1781081283"},{"product_id":"things-fall-apart","title":"Things Fall Apart","description":"\u003cp\u003eA twelve-week event held every two years, the Toronto Biennial of Art commissions artists to create new works for a city-wide exhibition in dialogue. Building upon past editions and offering new ways of seeing and listening, each Biennial connects people to engage in meaningful dialogues and imagine new futures. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eThings Fall Apart\u003c\/i\u003e carries the theme of water, introduced in the first Toronto Biennial. Led by Indigenous thinking, the 2019 and 2022 Biennials explored the many histories of the city’s ever-changing shoreline by asking: What does it mean to be in relation? The 2026 Biennial continues this trajectory outward, tracing expansive but interconnected relations from the geography of Toronto through the waters of the Great Lakes and the Great Loop to vast global waterways of the Atlantic Ocean, the Middle Passage, the Nile, and the Persian Gulf. \u003c\/p\u003e\u003cp\u003eConceived and curated by New York-based curator and writer Allison Glenn, known for realizing ambitious and experimental exhibitions and sitespecific projects around the globe, \u003ci\u003eThings Fall Apart\u003c\/i\u003e features more than 30 artists from Canada, the US, the Caribbean, South America, Europe, Africa, and Asia, including 100 reproductions of work by the participating artists as well as Glenn’s own in-depth curatorial essay. It will also include a multitude of voices and approaches from curators, artists, and writers, offering a compendium of ideas, insights, and thinking. \u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eAuthor\u003c\/h3\u003e\u003cp\u003eAllison Glenn is a New York-based curator and writer focusing on the intersection of art and public space through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. For over fifteen years, Glenn has been devoted to realizing ambitious and experimental exhibitions and site-specific projects with artists working across the globe. \u003c\/p\u003e\u003cp\u003eHer previous roles include Artistic Director of The Shepherd; Co-Curator of Counterpublic Triennial 2023, Senior Curator at New York’s Public Art Fund; Visiting Curator at The University of Tulsa; and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. She also held a curatorial position with New Orleans’ international art triennial, \u003ci\u003eProspect.4: The Lotus in Spite of the Swamp\u003c\/i\u003e. She gained broad acclaim for curating the pathbreaking 2021 exhibition \u003ci\u003ePromise, Witness, Remembrance\u003c\/i\u003e at Louisville, Kentucky’s Speed Art Museum. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDetails\u003c\/h3\u003e164 pages\u003cbr\u003ePub date: September 29, 2026\u003cbr\u003e","brand":"Allison Glenn","offers":[{"title":"Paperback\u0026nbsp;\u0026nbsp;9781773105062\u0026nbsp;\u0026nbsp;$40","offer_id":49076720828655,"sku":"9781773105062","price":40.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1403\/7679\/files\/9781773105062_FC.jpg?v=1781081725"}],"url":"https:\/\/gooselane.com\/collections\/art-metropole.oembed","provider":"Goose Lane Editions","version":"1.0","type":"link"}